| Brand | GIZMON |
| Focal Length Description | f=50mm |
| Lens Type | Tilt Shift |
| Compatible Mountings | Sony E |
| Camera Lens Description | 50 month |
£7.74
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| Brand | GIZMON |
| Focal Length Description | f=50mm |
| Lens Type | Tilt Shift |
| Compatible Mountings | Sony E |
| Camera Lens Description | 50 month |
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Prof. Eric Wyman DVM –
I’m a professional photographer and have always loved tilt shift photography but never took the plunge til now. I’m very glad I did! This lens is a joy to use. I love that you can move the tilt in any direction you like. The images are mostly sharp and I’m REALLY looking forward to taking this out into the city for some better shots.Please note that this is a manual-only lens so some photography knowledge is required, but overall it’s very simple to use. You can adjust the tilt by loosening ring closest to the camera and aperture/focal length by turning the rings further out on the lens. There are no metal contacts so forget about auto focus or EXIF data.My only issue so far is figuring out how to achieve very sharp images. Even when shooting on a tripod I get minimal “ghosting” of edges and some aberration but I’m VERY new to this lens and this style of photography so I won’t knock any off stars for now.Overall this feels like a very solid lens for beginner tilt shift photography
Tomas Bailey IV –
Tilt-shift lenses exist due to remnants of some of the earliest forms of photography. The ability to move the various glass elements used by a camera, were not only possible, but were commonly needed.In today’s cameras, however, moveable elements are something that many customers have no desire to use, NOR do many customers understand how to use one properly. Couple that, with the fact that much tilt-shift photography is a matter of trial and error, and a lens of this type, will often baffle and frustrate the average user.I used my first tilt-shift lens, back in the 80s, but at the time, I was a kid who just wanted to take photos. Being given a large SLR, with interchangeable lenses always made you feel like you were high tech, but the reality of it, was that the average pocket 35mm, and even a 110 camera, was more than sufficient for my needs. So, much like every other average consumer, a tilt lens was something that was just odd, to me.. I’d take photos with this odd little lens, and some of the images were really cool, and distorted.. others were just a blurry mess. I never understood why.It wasn’t until the 90s, when I started taking some college photography classes, did I really get a chance to fully explore the strengths and weaknesses of a tilt-shift lens. Having access to my own darkroom, I could take photos with it, and then immediately go and develop.. to see what things worked, and what didn’t.It was one of my collegiate professors that explained to us how and why a tilt-shift lens works:A tilt-shift lens, is basically a prime lens, that allows you to wiggle the glass elements within the lens. Normally, you want your elements to be perfectly aligned, without any distortion… but, as with a fisheye lens, sometimes you WANT to play around with the angles, the distortion, and ultimately the focal point. I was able to achieve some pretty cool images, at the time, but it wasn’t until the invention of the DSLR, that we were REALLY able to take the time to play and understand tilt shift lenses, since we no longer had to take the time for the image setup, and then interrupt your workflow, by going to a darkroom.. just to see if your idea/setup worked properly.So… The key thing to keep in mind, when purchasing this product, is that while you CAN just use it out of the box, you’re going to want to take the time to learn with it, in order to land the images you want.Attaching any lens, like this, you’re going to need to disable your autofocus, and drop into straight manual mode.Due to the fact that this lens is such a wide aperture (low f.stop), you’ll want to treat this lens, first and foremost, as a manual prime lens, which means usually keeping your shutter speed fairly high, and your ISO low. Obviously, only you know what image you’re trying to create, but that’s a good recommended starting point.Due to the manually moveable elements of this lens, I recommend a tripod, when you can, AND using a zoomed in focus on your clear subject(s). On Sony E-Mount, by default (I believe) double tapping the monitor will cause the focus magnifier to activate… this allows you to really dial in your focus… which is already going to be harder to do, due to the fact this lens, being a 1.6 (on the wide end) really makes for a razor thin focal point. Even then, it will not be tack sharp, partially due to the moveable elements, and partially due to the lower quality of glass in this unit.Speaking of the build quality, so far I’m not too concerned about it. It’s a metal chassis, with glass lens elements within it. The individual aspects of the lens are smooth to operate, and it’s held up well in day to day use, over the last month. The glass quality is ok, at best.However, be aware.. due to the very nature of this lens being a tilt lens, do NOT expect there to be very strong dust or weatherproofing. I’ve never encountered a Tilt-shift lens that holds up well to extreme elements, so I wouldn’t recommend using this in a sandstorm, or in a heavy downpour.Now, you’ll notice I called this a ‘Tilt’ lens, above, and NOT a Tilt-shift. That’s because this particular lens is not a full Tilt-shift lens.. it offers the tilt aspect, but there is no way to shift the elements back and forth. As such, it DOES have some limitations, BUT it also makes it easier to use, for the average user.Some other things to consider:Due to the fact this lens is entirely mechanical, be aware that much of your onboard sensors aren’t going to work the way you expect them to, normally. I’ve noticed the ISO setting is routinely off, generally trying to increase it’s value, higher than needed in many circumstances.. this will be especially confusing for anyone coming from another 1.X prime lens, who will expect they can use a lower iso in certain settings.That said, also realize, due to the nature that you are moving elements, you’re going to get fringing and image distortion, fairly regularly. This is not limited to this lens, but a limitation of most Tilt-shift lenses.Fully open, the 1.6 aperture is…. rough, at best. I got better results at f4… less than that, and you need to expect that a low priced lens is going to struggle, if it’s not using more expensive glass for its individual elements.The mount ring is small.. VERY small. If you want to release it from the camera, realize that due to how thin it is, you might struggle to get a grip on it, past the adjustment tensioner, for locking the tilt function in place.So… what’s the overall scoop on this lens? Who will find it useful, and who won’t?First off, let me say, this review is based on the value for this lens, at its current price point. If this lens were $1,000, it would likely garner a 1-2 Star review from me, just due to the fact that, even as a tilt lens, it’s glass quality is not really good enough to make it into my permanent lens rotation. Sure, it achieves its basic function, but sacrifices quite a bit in the process. You can’t help but compare it to other tilt-shift lens manufacturers.. which tend to do it a LOT better, with more crisp images, AND with measurement elements that allow you to reproduce an image, if not exactly, as least closely.However, even the budget level Samyang/Rokinon series are >$500, so for a little over $100, this product really shouldn’t even be compared to that lens. As such, this lens sits in a playing field, all by itself.If you’re a professional photographer, and you just want to see how a tilt lens works, then by all means, this is a good inexpensive entry into understanding the limitations and how the products work.Otherwise… this lens is a neat toy, and as long as you treat it as a toy, and not a productive lens, you will probably be happy with it.HOWEVER, if you’re planning on using this lens for any of your professional work, I would strongly recommend against it. It works, and for it’s price point, it’s actually not bad at all, but where it seems to have cut the most corners, is in the glass quality.. and its glass quality isn’t really anything I would call good. You will need to be de-fringing and sharpening all of your images.So, who is this lens good for? I’d say it’s good for someone who is going be using their tilt image results, for online, low scale images. If you’re a hobbyist, who wants to take photos of dioramas, or are someone who simply wants to be able to create some cool looking cityscape images, using a tilt-shift lens… then by all means, for this price point, it’s a GREAT deal. Additionally, the straight ‘Prime’ aspect of the lens (not using the tilt function) isn’t terrible, and could be used as a learning tool for someone who has just bought a camera with a kit lens, and wants to understand how a manual prime would work, too.However, the counter argument to this, is that there are some pretty good tilt-shift filters out there, that can be applied after the fact, in photoshop or lightroom, too. Some of the better ones may run you $50-100 for a pack…. so the price is a bit of a wash, in that aspect. But, consider, that also assumes you are editing your photos, and are paying for an editing suite, already, too… AND for those that are thinking about using it as a prime, only… you can usually pick up a fairly decent used prime lens, at your local camera store, for $100-150…So, your results will depend entirely on how you want to use it, as as long as you keep your expectations low.
Domenico Rath –
I’m not a photographer, but i’m more of a videographer but I love snapping photos with my Sony FX3 camera. I was so excited when I heard about the GIZMON Miniature Tilt Lens because it would let me take even better photos. The lens is really easy to use and it makes a big difference in the quality of my photos. It gives me more control over the angle of my shots, which is great for Miniature photography I’m really happy with it!